Kino Magazine

THE CONTENTS

EU Constitutional Treaty – key elements

Excerpt from the Social Charta of the European Union

Excerpt from the Charter of Fundamental Rights of the European Union

Draft Constitution for Europe

CINEMA IN BULGARIA

Jubilee

Tireless experimenter – 75 years old Christo Topuzanov / Nadezda Marinchevska

ARTISTS AND FILMS

The nowadays of the Bulgarian cinema are sad – a conversation with Ivan Georgiev – director of "Ice Dream" / Maria Dacheva

I wish myself to have strength to work – a conversation with the actress Vessela Kazakova / Irina Ivanova

Light woman – heavyweight - a conversation with the actress Stephanie Koleva / Mariana Ivanova

AFTER THE CLOUDS' SHADOW

Assen Shopov

THE VISION OF THE DIRECTORS

The director as a jazzman / Vladimir Angelov

WORLD SCREEN

Cannes 2005: European strategy / Vera Naidenova

Krakow 2005: A big scale festival / Ludmila Dyakova

Karlovy Vary 2005: To the East of the West / Bojidar Manov

Annecy 2005: Before the Jubilee / Krasimira Gercheva

Golden Vitiaz 2005: Two Silver Vitiazes for Bulgarian films / Olga Markova

OUR HISTORY

The European journey of the Bulgarian cinema between the two world wars / Dimitrina Ivanova

Christo Konstantinov – the father of the Bulgarian science documentary / Peter Kardjilov

THE CONTENTS

The Accession Partnership - Bulgaria

(sequel from issue 2 / 2005)

Excerpt from the European Commission's Regular Report on Bulgaria for 2004 Economic criterions

CINEMA IN BULGARIA

Personality and Film

About Valery Petrovwith love and provoking love / Neda Stanimirova

A so long, long returnA talk with Kliment Denchev / Dima Dimova

Films written by Ivailo Petrov / Valentina Fidanova

AFTER THE COUDS' SHADOW

Plamen Somov

First appearance

At cockcrow / Petia Slavova

ROUND TABLE

THE BULGARIAN CINEMA ON THE THRESHOLD OF EUROPE

Copyrights as Universal Value / Maria Palaurova

The European Cinema as a Prospect Without Alternative / Pavlina Geleva

SOFIA FILM FEST reverberationS

The new Argentina's cinema: Little stories with big impact / Boryana Mateeva

Let's trust in the TV and post-TV cinemaA talk with the British director Peter Geenaway / Ivo Philipov

Let's trust in the TV and post-TV cinemaA talk with the British director Peter Geenaway / Ivo Philipov

Any scandal is beneficial A talk with the Spanish actress Assumpta Serna / Mariana Christova

EURO FILM FEST

European cinema snap shot / Karin Yanakieva

Ukrainian cinema in focus / Irina Ivanova

The Ukrainian cinema is alive - A talk with the Ukrainian director Jurij Ilienko / Galina Nikolaeva

The screenplay on the road across boundaries / Pravda Kirova

WORLD SCREEN

The first little jubilee (Wiesbaden 2005) / Bojidar Manov

The scale of the short form (Beograd 2005) / Olga Markova

THEORETICAL STUDIES

The interactive television / Sofia Shishmanova

OUR HISTORY

The beau monde cinema / Yordanka Ingilizova

SCREENPLAY DRAFTS

The village / Ivan Mladenov

The Balkan bioscope / Vladi Kirov, Boiko Bonev

The hour of our reunion / Svetoslav Ovcharov

THE CONTENTS

The Accession Partnership - Bulgaria

 

Acquis Communitaire

Excerpt from the European Commission's Regular Report on Bulgaria for 2004

CINEMA IN BULGARIA

I am an optimist for the Bulgarian cinema - an interview with Iglika Trifonova / Petya Slavova

Nobody nowhere give away much money - a talk with Momchil Karamitev / Ludmila Dyakova

ROAD MOVIE

Destination for salvation

Four variants of the European road - Genoveva Dimitrova

ROUND TABLE

THE BULGARIAN CINEMA ON THE THRESHOLD OF EUROPE

At the opened door - Bojidar Manov

The Bulgarian cinema's peculiarity as intransient European value - Vera Naidenova

Are we, the film makers, Europeans? - Svetla Ivanova

Let us be kindly disposed to the Bulgarian cinemaAlexander Alexandrov

The films argued the officially imposed styleIngeborg Bratoeva

12 + 12 = to all / Grigor Chernev

Let us think within the big time and the big spaceVera Naidenova

AFTER THE CLOUDS' SHADOW

Questionnaire: Nikolai lazarov

THE VISION OF THE DIRECTORS

About some questions on Copyrights - Ivanka Grabcheva

NEW BOOKS

 “The documentary cinema as a way of life” / Bojidar Manov

"The sea in me"

CINEMA EVENTS

SOFIA FILM FEST

The Balkan cinema rediscovers the happy end / Ingeborg Bratoeva

Wonderful journey through cinema in Norway / Mariana Hristova

To be a professional on a national territory - an interview with Nikolai Nikitin / Olga Markova

Film critics and cinemagoers with the same opinion for a third time / Georgy Angelov 

WORLD SCREEN

BUDAPEST 2005 – The Hungarian film industry in 2004 / Vera Naidenova

BERLINALE 2005

From the hell to the paradise of the contemporary world / Kalinka Stoynovska

United and Uniting Europe's cinema / Ludmila Dyakova

THEORETICAL STUDIES

The elaboration of the technologies and the spectators' "preventive censorship" / Vladimir Ignatovski

OUR HISTORY

Minko Balkanski: from the Balkans to... / Peter Kardjilov

THE CONTENTS

HISTORY OF THE RELATIONS  Bulgaria – European Union

The 31 Chapters  closed by Bulgaria in the Accession Negotiations

Dr. Geert Hofstede: "Software of the national mind – the Cultural map of Europe"

Nuovo cinema Paradiso – in Bulgarian way (the film critic and writer Grigor Chernev answers to KINO magazine's questions)

Unique art experience (A meeting with the Spanish director Victor Erike) - Olga Markova

A discreet French relation – a possible mission (Conversation with Isabelle Blanchard) -Boryana Matteeva

CINEMA IN BULGARIA

Head On – the film that won "Golden Bear" at Berlinale 2004

The film staging is a disease and the art of cinema – a painful condition (Conversation with the film director Georgy  Dulgerov about his new film "Lady Zee") - Petya Slavova

I feel comfortably working with mixed genres (Conversation with the film director Zornitsa Sofia) - Yoanna Pavlova

The European journey of Hemingway passed through Bulgaria too (Conversation with the film director Svetoslav Ovcharov) - Pavlina Geleva

AFTER THE CLOUDS' SHADOW

Questionnaire: Christo Bakalov

NEW BOOKS

Good words for my friend - Nedelcho Milev

ROAD MOVIE

Destinations for salvation – four  variants of the European road movie - Genoveva Dimitrova

THE VISION OF THE DIRECTORS

Through the eyes of Oruel - Vladimir Angelov

CINEMA EVENTS

"Cinema Phantom – 2" and not only - Galina Nikolaevna

At the moment Bulgaria has a historical chance (Conversation with the director of the Sofia Film Fest Stephan Kitanov) - Mariana Hristova

ROUND TABLE

Discussion on the TV series "Bulgaria"

FILMAUTHOR

About copyrights on audiovisual products for TV and cable broadcasting - Maria Palaurova

THEORETICAL STUDIES

TV series and the everyday optics - Ivan Stephanov

OUR HISTORY

Bulgaran is a Gallant – 90 years after the premiere - Alexander Grozev

SCREENPLAY DRAFTS

The man who wished to play Hamlet - Peter Kardjilov

THE CONTENTS

CINEMA IN BULGARIA

“Puppet” or the man who played with puppets – Interview with Pavel Pisarev, author Dima Dimova

PROFESSIONS IN SHADOW

There are cascades and cascades – Interview with Svetoslav Rangelov Kroyfa, author Genoveva Dimitrova

AFTER THE CLOUDS' SHADOW 

Questionnaire: Christo Totev

THE VISION OF THE DIRECTORS

The screenwriter Sirak Skitnik 

MASTERS OF CINEMA ART

The great dark Sweedish silence (Ingmar Berman), author Zornitsa Yoncheva-Danilovska

Film dreams (the Bergman's film novels), author Zornitsa Yoncheva

CINEMA EVENTS

“Golden Chest” 2004, author Ludmila Dyakova

 Balchik 2004:

Students' emotions, author Petya Slavova; A small cinema oasis, author Tanya Trendafilova;

About music, fun-fair and rotation - Interview with the actor Itshak Finci, author Georgy Georgiev

WHERE THE WILL TAKES THE DECISION

Program of films about mountains, author Ralitsa Nikolova

CINEMA-FAN

The Alternative Cinema, author Vladimir Illiev

OUR GUESTS

The producer and the director are very different professions - Interview with Hans Honer, author Ludmila Dyakova

I want the cinema-goer to remember not my name but the vision in my film - Interview with the Polish director Krzysztof Zanussi, author Olga Markova

CINEMANIA 2004

The small wounds of the French cinema, auhtor Boryana Mateeva

Film art created with beauty and passion (Fatih Akim) , author Ingeborg Bratoeva

The next Ljubisa Samardzic's adventure, author Olga Markova

The film critics choosed Fatih Akim, author Georgy Angelov

WORLD SCREEN

Balkananima – Beograd 2004, author Stoyan Dukov

My films in Thessalonike, author Bojadar Manov

IDFA 2004: the key word is CINEMA, author Irina Kanusheva

OUR HISTORY

Bulgarian man - author of documentary film about "Titanic", author Konstantin Kostov

Screenplay drafts

The Dinner, author Rossen Mihaylov

THE CONTENTS

CINEMA IN BULGARIA

IN PREPARATION

To tell the story of the silence - Elka Nikolova on her new film "Binka"

PROFESSIONS IN SHADOW

The Film is like God raised on Altar - Talk with Nina Kirova, author Genoveva Dimitrova

NEW BOOKS

From new technique to new aesthetic, author Ivan Stefanov

NEWS

The Association "Academica 21"

THE VISION OF THE DIRECTORS

The TV channels don't want films, they want comedies, happenings and mediocrity, author Vladimir Angelov

CINEMA EVENTS

GOLDEN ROSE' 2004

Pre-modern, modern, post-modern with the gaps between, author  Iskra Dimitrova

The Debuts' 2004: crazy and charming, author Boryana Mateeva

The Debuts'2004: alleged success, author Petya Aleksandrova

A short article on sociology, author Iskra Bojinova

Critical sketches, author Maryana Hristova

Women – manner of use, author Penka Monova

The awards "Golden Rose" have not to be given for a decade – A talk with the actor Vassil Vassilev - Zueka, author Petya Slavova

THE AWARDS presented at the XXVI Festival of the Bulgarian feature film "Golden Rose' 2004

LOVE IS FOLLY’ 2004

The elusive territory for love and art, author Kalinka Stoynovksa

Enthralled by the secrets of the contemporary cinema and of the human soul – Conversation with the Czech film critic Galina Kopaneva, author Dima Dimova

Chinese chronicles on the Bulgarian land, author Andronika Martonova

Two hieroglyphs, several cinema cameras and one Mephistopheles - Conversation with the Chinese cinema director Suan Djou, author Andronika Martonova

FILMAUTHOR

Let's understand the collective management of copy rights, author Maria Palaurova

"Choses Secrètes", author Boryana Mateeva

WORLD SCREEN

Stars and films in the lagoon – Venice 2004, author Bojidar Manov

The voice of Armenia – Golden Apricot' 2004, author Irina Kanusheva

Years of survivalZagreb 2004, author Pencho Kunchev

OUR HISTORY

The apostle of sound era in the Bulgarian cinema Georgy Parlapanov, author Peter Kurdjilov

Screenplay draftsLegend about the White Wild Boar, author Kostadin Kostadinov

KINO  MAGAZINE

published by The Union of Bulgarian Film Makers

The KINO (Cinema) magazine is a unique bimonthly issue for film culture and film theory in Bulgaria.

It is addressed to a certain target group of film art connoisseurs –

film professionals, cinemagoers, and very special peoples for whom cinema is not only amusement

but also an aesthetic experience, knowledge and self-understanding.

The KINO magazine is an authors’ issue. Critics and film authors from all generations of Bulgarian cinematographic reflection publish theirs texts here. The team of editors relies on a range of professionals, who with talent and high skill analyze and rationalize the processes in the Bulgarian, European and world cinema.   

The KINO magazine is a field for discussions and upholding of different points of view about the most important events and problems in the World of Cinema – the Bulgarian, European, and from the whole world. The obligatory condition in the activities of the editors’ team is respect and tolerance to the opinion of authors, opponents and interlocutors. The sensation and yellow information are out of the magazine attention.

The magazine publishes scenarios and different scenario forms for feature, documental, animation and television cinema. The authors are popular and authoritative Bulgarian scenario writers and directors, but also young film professionals.

The KINO magazine defends the democratic and European values in the contemporary Bulgarian cinema-reflection – theoretical and creative - and also in the assessment of the world cinematographic process.


KINO MAGAZINE


The KINO (Cinema) magazine is established in 1946 under the name “KINO and PHOTO” (Cinema and Photo) as a printed organ of the state owned Foundation ‘Bulgarian Deed'. Since 1952 to 1955 it is named “KINO” magazine. Since 1955 to 1991 it is renamed to “KINOIZKUSTVO” (Cinema art). Since 1991 is recovered its current name “Kino”.

* * *

Editorial Board:: prof. Alexander Grozev, prof. Bojidar Manov,  prof. Venets Dimitrov, prof. Ivan Stefanov, ass. prof. Kalinka Stoynovska, Liudmila Dyakova – Editor in chief, prof. Stanislav  Semerdjiev, prof. Svetoslav Ovcharov , Katerina Lambrinova

Design: Assia Kovanova, Rumen Barosov

 

SUBSCRIPTION

Per year including packing and postage

60 EURO

Please contact the editors:

Sofia 1504, "Dondukov blvd. 67, tel..: (+359 2) 946 10 62; E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.