THE CONTENTS
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The Accession Partnership - Bulgaria Acquis CommunitaireExcerpt from the European Commission's Regular Report on Bulgaria for 2004 CINEMA IN BULGARIA I am an optimist for the Bulgarian cinema - an interview with Iglika Trifonova / Petya Slavova Nobody nowhere give away much money - a talk with Momchil Karamitev / Ludmila Dyakova ROAD MOVIE Destination for salvation Four variants of the European road - Genoveva Dimitrova ROUND TABLE THE BULGARIAN CINEMA ON THE THRESHOLD OF EUROPE At the opened door - Bojidar Manov The Bulgarian cinema's peculiarity as intransient European value - Vera Naidenova Are we, the film makers, Europeans? - Svetla Ivanova Let us be kindly disposed to the Bulgarian cinema – Alexander Alexandrov The films argued the officially imposed style – Ingeborg Bratoeva 12 + 12 = to all / Grigor Chernev Let us think within the big time and the big space – Vera Naidenova AFTER THE CLOUDS' SHADOW Questionnaire: Nikolai lazarov |
THE VISION OF THE DIRECTORS About some questions on Copyrights - Ivanka Grabcheva NEW BOOKS “The documentary cinema as a way of life” / Bojidar Manov "The sea in me" CINEMA EVENTS SOFIA FILM FEST The Balkan cinema rediscovers the happy end / Ingeborg Bratoeva Wonderful journey through cinema in Norway / Mariana Hristova To be a professional on a national territory - an interview with Nikolai Nikitin / Olga Markova Film critics and cinemagoers with the same opinion for a third time / Georgy Angelov WORLD SCREEN BUDAPEST 2005 – The Hungarian film industry in 2004 / Vera Naidenova BERLINALE 2005 From the hell to the paradise of the contemporary world / Kalinka Stoynovska United and Uniting Europe's cinema / Ludmila Dyakova THEORETICAL STUDIES The elaboration of the technologies and the spectators' "preventive censorship" / Vladimir Ignatovski OUR HISTORY Minko Balkanski: from the Balkans to... / Peter Kardjilov |
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