THE CONTENTS
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CINEMA IN BULGARIA A man-orchestra or a precise choir-master - A talk with Stefan Kitanov / Ludmila Dyakova FILM CRITICS' EVALUATION "The Color of the Chameleon" - A film chameleon / Penka Monova NEW BOOKS Sergei Eisenstein: The montage / Georgy Kapriev CINEMA EVENTS THE DISCUSSION: Bulgarian feature cinema as social views The dualism between art and mercantile in EU legislation and its applying in Bulgaria / Alexander Donev Without consolidation we are doomed / Georgy Cholakov Did our cinema become aware of the dramatic lost of values during the transitional period for Bulgarian society? / Iskra Dimitrova The hour and the date for Bulgarian cinema rendezvous with audience are unknown / Ivo Draganov Bulgarian - Danish or two models of support for cinema / Ana Shoileva Shared thinking / Vera Naidenova |
CINEMANIA 2012 In conflict with time, with yourself, with the other one / Kalinka Stoynovska The best film for the film critics is "The Story of Film. An Odyssey" / Georgy Angelov GODLEN RHYTON 2012 Analysis of the facts and a look in the personal sphere / Dimitar Kabaivanov The dramaturgy of the show: a boring caprice or a necessity for the story / Ivo Draganov The rebuilding: the way of use / Boryana Mateeva Good thinking, artistic - of course, animators / Ludmila Dyakova Pointed publicism is missing / Olga Markova The unusual man from behind the frontier. Which frontier / Rossen Spasov Dozen films nominee for "Golden Rhyton" / Georgy Angelov WORLD SCREEN CLOSE-UP On the occasion of "Love". The Love Death / Antoan Asenov SCREENPLAYS DRAFTS 49 172 / Atanas Kolev, Vladimir Ignatovski, Plamen Petkov |
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